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Following on from December’s Wurlitzer extravaganza, this issue is more eclectic. Nils Henrik Asheim opens the magazine with his feature about Ryde & Berg’s Op.100 installed in Stavanger’s concert hall. Remarkable though the idea is to those who read this magazine, concert organs are rare in Norway and Nils has had an uphill battle to make listening to the instrument acceptable to his audiences – the pull-out is an unusual example of how he has fused many cultural worlds; it was taken during the inaugural recital.
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